This is a glowing film in the tradition of gigantic tragic romances. It is based on a largely fictionalised legend of the tale surrounding a renowned love-song from the 1930s, “Dusky Sunday”. The song acquired its well-known nickname of “The Hungarian Suicide Song” because of the rumour (largely untrue) that it caused a wave of suicides of uncomfortable lovers who listened to it. The fresh song was written by Hungarian composer Rezso Seress who earned a fortune as a result of its worldwide popularity. The film version of the memoir has limited resemblance with reality.
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The film is a German/Hungarian co-production based on the fresh by Slash Barkow – “Das Lied vom Traurigen Sonntag”. It begins in the explain day but reaches succor to a more idyllic time in 1930s Budapest. Illona (Erika Marozsán) is a dewy-eyed Hungarian beauty who is loved by 3 men, Laszlo (Joachim Król), a Jewish Restauranteur, András (Stefano Dionisi), a penniless pianist, and Hans (Ben Becker), an up-and-coming German businessman. Andras writes the song “Sad Sunday” as a birthday gift and an expression of esteem for Illona. Illona loves both the pianist and the restauranteur and despite their rivalry, they become friends at her insistence. With Laszlo’s abet, Andras’ song is published, recorded and lauded worldwide. Hans, a frequent customer at the restaurant is the first to propose to Illona. When she turns him down, he almost becomes the first casualty of the song’s curse. In despair, he jumps off the Széchenyi Bridge into the Danube. He is rescued by Laszlo who consoles him and nurses him encourage to health. Hans pledges his eternal gratitude to Laszlo. With Hans’ return to Germany, the remaining trio enjoy a glorious congenial ménage à trois, which lasts until the arrival of WWII. With war comes the return of Hans, now a Colonel in the SS charged with cleaning out the Jews from Budapest. By this time, the song’s morbid reputation has made it unfriendly around the world. Now the curse returns to haunt those closest to it. Will Laszlo sprint the Jewish pogrom? Will Hans be another Oskar Schindler? Will Andras live to gather the girl? What will become of Illona? Despite its murky subject matter, the ending is uplifting with its deft twist and its theme of justice served through the years. I happen to like romantic movies and this kind of weepie account appeals to me. I also happen to appreciate the music, which as Illona describes, has the perfect blend of sweetness and sorrow. A more cynical viewer may effect all this as hokey and to someone who doesn’t acknowledge to the music (most younger people), this fascination may be quite unfathomable, but to each his believe.
This Site 1 DVD from Warner is very beautifully presented in its new 1.85:1 aspect ratio (enhanced for widescreen TV) . The print is quite immaculate with gripping images, vibrant, natural colours and perfect blacks levels. The modern German Dolby Digital 5.1 audio is also very salubrious. I found the German dialogue perfectly positive once the overall volume level is brought up a bit. The piano and orchestral recording sound heavenly. Optional English, French and Spanish subtitles are provided. There are no extras whatsoever but this DVD is definitely worth the asking trace.
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Note: This DVD is unrated but would probably receive an R-rating for nudity, sexuality, violence and language.
Gloomy Sunday (Ein Lied von Liebe und Tod) is a hauntingly heavenly gem of a movie, a modern blending of romance, drama, and tragedy all compressed under the oppressive weight of history. This film lives and breathes, transporting you aid to 1930s Budapest with delicate cinematography, a fascinatingly brooding musical salvage, and the most human of characters. Released in 1999, I have no belief why this German-Hungarian film took so long to originate its map to American audiences or why it was not rewarded with an Oscar for Best Foreign Film. Those of us fortunate enough to have seen it have certainly appreciated it. Objective asks the folks in Boston, who kept the film running for a record-breaking 70 weeks in 2004-2005. If you have a heart and soul, this film will touch and haunt them both for a long, long time.
The title refers to a song written by one of the characters, but the historical reference is to a song by Hungarian composer Rezso Seress which became known, especially in America, as the Hungarian Suicide Song. Supposedly, many souls took their believe lives after basking in the emotional power of this melody, but there is virtually no corroboration for the stories that have grown up around it. (One should support in mind that the era of the 1930s was a time of worldwide economic depression, in which the Nazi menace cast its foreboding shadow over Europe and eventually the entire world.) In the film, Shaded Sunday is basically a esteem song, written by a pianist named Andras (Stefano Dionisi) for the absolutely absorbing Ilona (Erika Marozsan) . Ilona is the hostess of an pretty restaurant in which Andras finds employment as an in-house pianist. He falls for the dark-eyed beauty impartial as Laszlo (Joachim Krol), the restaurant owner did, and the three soon form a curious but very cessation relationship. Jealousy sometimes arises, as Ilona shares herself with both me, but both Andras and Laszlo would rather piece her than lose her. I should point out here that Ilona in no method comes across as a loose or in any procedure disrespectable woman. She’s an angelic creature, a woman with whom men constantly drop in like, including a frightened, awkward German youth named Hans Wieck (Ben Becker), who leaves Budapest broken-hearted but returns several years later as an well-known Nazi colonel.
Laszlo, Andras, and Ilona grow ever closer over these same years. Andras finds instant fame as the composer of Sunless Sunday yet unruffled struggles to understand honest what his song is trying to say. When he despairs over the staggering numbers of suicidal men and women who left life serenaded by his mysteriously cursed song, Laszlo and Ilona are there to rescue him emotionally. Their mutual bond is eternal and right. All too soon, however, the trio’s strangely enchanted world begins to arrive apart. The restaurant is quiet prospering and “the song” is serene being played every night by common inquire of, but the arrival of the Nazis in Hungary casts an increasingly foreboding shadow on the lives of these incredibly inviting characters. Fright takes on a palpable presence in their lives as Jews are rounded up and transported to concentration camps. Only Hans affords them, especially Laszlo (for he is Jewish), any kind of safety secure in this oppressive and increasingly risky environment.
The dogs of greed, betrayal, and pure snide inevitably reach to have their day, making for an emotionally jarring final half hour of this film. The subtlety with which the most painful blows strike only makes the tragedy all the more intense – and instructive. That subtlety carries over to the ultimate conclusion, which could not have been presently more effectively.
I could go on and on about the unsurpassed strengths and natural beauty of this film, but words can never communicate my good passion for this film. Sad Sunday approaches cinematic perfection, in my humble idea, and I would run any and every person to experience its emotional power for himself/herself.
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June 26th, 2011 by admin in 
